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in the painstaking Pointillist technique Pissarro used for only a few years
Corot used this sketch as a model for the background of two paintings of the 1860s
Uccello mapped out a grid on the panel's surface as a guide for his design
and immediately to its right the frescoed facade of the Case Mazzanti
Two other panels of The Hunt and The Return from the Hunt
Study of a Tree Frame:gold in the painstaking Pointillist technique
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