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It was known in 18th-century France as 'Le Manchot' - 'The One Armed Man' - on account of the seated figure whose left hand is concealed below his apron
shows how Bevan's mature technique had developed into an angular style in which colour fused into broad masses of a subdued and subtle tone
the original was in the della Valle collection in Rome in 1561
Subject probably Aline Charigot (1859 - 1915)
The level of detail is very varied: Ruskin has focussed on the third ground-floor arch from the right
View of Luzern from above Frame:none It was known in 18th-century
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