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The composition
and the monument to Francesco Maria I della Rovere
He may have turned to kitchen subjects on his admission to the Academy in 1728 to distinguish himself from artists such as Desportes and Oudrey who specialised in game and hunting pieces
the picture was probably framed in a plain dark moulding
The distillery - probably an illegal still - appears in the background in another room
South East View of the Taylor Building and University Galleries Frame:white The composition
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