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In the studio
keeping the tonal harmonic integrity intact while retaining the quality of output tube breakup
Sounds like the originals because it's built like the originals
- Twelve reverb machines to choose from: Room
Clockwise for more intense phasing
ZVEX Effects Woolly Mammoth 7 Hand-Painted fuzz In the studioThe WM7 features a Marshall style tone stack with Bass, Mid, and Treble controls. This is a departure from the original Woolly with its single tone knob. The tone stack allows for expanded tone shaping capability. Being able to switch it in and out of the signal path makes it a valuable tool for sculpting fuzz into dense soundscapes. The tone stack is switched in and out of the circuit with the footswitch on the lower left portion of the pedal. This
