Hell's Gate, Death Valley, California, 2000 portraiture but never quite disappear

but never quite disappear

What makes San Francisco Street special is its universal banality: everyone has stared at a traffic light that wouldn’t turn green

The setting of the series references the garden of Eden as described in the book of Genesis with green pastures and livestock present

contemplating the unusual printmaking technique of non-toxic stone lithography

heavy art paper

Hell's Gate, Death Valley, California, 2000 portraiture but never quite disappearHell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley shortly after rainfall. This artwork is a limited edition of 25, gloss photographic print, dry mounted to aluminium, it is presented in a museum board white window mount and a choice of black or white box frame fitted with anti reflective UV70% glass. It is signed and