and increasingly under pressure
It includes a 6-inch blue squeegee perfect for creating beautiful colour mixes and adding delicate layers to your paintings
This work sits in that threshold between day and night
the work captures a sweeping
"This superb collection of women’s short stories
A moor is not a mountain XI Oil and cold wax landscapes and increasingly under pressureIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive